All My Rowdy Friends

Directed the world premiere of Back to the Future: The Musical in 2020 at Manchester Opera House. His production transferred to the Adelphi Theatre on London's West End in 2021, winning the 2022 Olivier Award for Best Musical. He has since directed BTTF on Broadway, the first US National Tour (now in its second year), the Japanese-language production in 2025, the Australian production, and the German-language production in Hamburg — with a UK Tour opening in fall 2026.

In 2001, Rando won the Tony Award® and Outer Critics Circle Award for Best Direction for Urinetown, The Musical. His other Broadway credits include Mr. Saturday Night (Tony nomination, Best Musical), On the Town (Tony nomination, Direction), A Christmas Story, The Wedding Singer, Penn & Teller, A Thousand Clowns, Getting The Band Back Together, The Dance of The Vampires, and Neil Simon's The Dinner Party.

For New York City Center Encores! he directed The New Yorkers, High Button Shoes, It's a Bird It's a Plane It's Superman, Annie Get Your Gun, Gentlemen Prefer Blondes, Damn Yankees, Face the Music, Of Thee I Sing, The Pajama Game, Do Re Mi, and Strike Up the Band. His concert production of Carousel for the New York Philharmonic was filmed for Lincoln Center Live.

Off-Broadway, his long collaboration with playwright David Ives includes The Heir Apparent (SDCF Callaway Award), All in the Timing (Obie Award), Lives of The Saints, Polish Joke, and others. His work in China spans three original musicals: Jay Chou's The Secret, The Spirit of Life — The Jonathan Lee Musical, and Huang Bo's The Island.

Best known as the book writer of the Tony-nominated rock musical Rock of Ages, as well as the screenwriter and executive producer of its film adaptation starring Tom Cruise. He also wrote and directed the feature film Barry Munday, selected as a "Spotlight Premiere" at the 2010 SXSW Film Festival and screened at the Edinburgh and Newport film festivals, where he won an award for Outstanding Filmmaking.

In Rock of Ages, D'Arienzo merged his passion for '80s rock and musical storytelling — crafting the narrative and selecting many of the classic rock songs that drive the show's energy. Beyond Rock of Ages, he is actively developing Save Us, Batkid! for Warner Brothers and DC Comics, with Michael Mayer directing and Billie Joe Armstrong of Green Day composing. D'Arienzo's work bridges musical theater and film, reflecting his creative versatility and deep engagement with both narrative and song.

John Spiker — Bio forthcoming.

Jonathan Quesenberry is a Los Angeles–based music director, composer, supervisor, and arranger. He is the resident music director at The Groundlings Theatre, where he collaborates with top-tier comedic talent in one of the country's most influential improv institutions. He also served as music director for Rock of Ages (Hollywood), as well as many other theater production companies including Broadway On Demand, PEG Studios, and the New York Musical Festival.

Devin Keudell (He/him) has been active in the industry for nearly forty years. He is currently the executive producer of The Lost Boys on Broadway, and general manages the Broadway touring productions of MJ, with two additional consulting general management credits on MJ in London, Hamburg, and Australia.

Other general management credits include the Broadway productions of Tammy Faye, Almost Famous, Beetlejuice, Tina — The Tina Turner Musical, the Broadway and touring production of Curious Incident of the Dog in the Nighttime, multiple tours of Mamma Mia!, the Broadway and touring productions of Billy Elliot the Musical, and the Broadway productions of The Boys in the Band, School of Rock, the 25th Anniversary production of Angels in America, Groundhog Day, Cats, Rocky, Breakfast at Tiffany's, Ghost, Cat on a Hot Tin Roof, In My Life, Never Gonna Dance, and The Adventures of Tom Sawyer.

Devin has served on the Executive Committee and Board of Governors of The Broadway League and has represented producers in labor negotiations for several unions.